Your band members will sound inspect their own instruments and their systems such as the monitor first then you, the vocalist or the vocal section will do your own noise check last once the sound system for the musical instruments are already well balanced. Sound check in this series will enable you to hear how you sound when you are actually singing with your band.
When your band and you as the lead singer use electronic musical instruments such as the electric guitar, electric bass or the microphone etc, conducting a sound check is necessary to balance the noise of the instruments and your voice.
At the sound check, make certain that your microphone is devoid of its stand if you wish to walk around or dance throughout your singing performance. Also ask the sound equipment service technicians for a screen to be placed in front of you so that you can hear yourself sing. If you can get your hands on a set of sound display earpiece, that will be better due to the fact that this will offer you more room to prance around and captivate your audience and fans.
How to sound inspect the singer’s microphone,
Your singing voice when produced by the microphone must be louder and above the noises produced by the band so that your voice can carry the songs well and able to portray your feel, tune interpretation and emotions plainly. Sometimes, this might lead to loud feed backs (that loud piercing shrieking sound produced by the microphone) so much so that your noise professional or yourself need to understand where the maximum volume can be prior to the annoying screeching feedback happens. The sound specialist ought to mark this limit on his sound board control.
At the sound check, make sure that your microphone is complimentary from its stand if you want to move around or dance during your singing performance. Often, this may result in loud feed backs (that loud piercing shrieking sound produced by the microphone) so much so that your sound technician or yourself should know where the maximum volume can be prior to the annoying screeching feedback occurs. The sound specialist must mark this threshold on his sound board control.
Throughout the crescendo parts of tunes, move far from the microphone so that you do not trigger feedback and move back in again during the softer part of the tunes. By doing this, you are not just able to control feed backs, you will likewise not aggravate delicate audience who might not enjoy loud singing. On the other hand, when the singing is soft and you are far from your audience, they might not be able to construct what you are singing and that is why you require to move closer to the microphone when the interpretation of the tune calls for you to sing gently.
It is necessary to look out for lyrics or consonants beginning with ‘P’s and ‘B’s. These consonants might cause explosive pop sounds on the microphone when you are singing loudly into the microphone. If you think ‘M’, you will have the ability to prevent ‘please’ and ‘child’ blowing up out of the speakers.
The final sound check – At the end of the sound check session, you and your band must go through a number of songs. This is done not just since you wish to hear whether the noise is good from the audience perspective but likewise whether all your band members can hear themselves, the band as a whole and sound from their screens.